The house was designed on the principle of low consumption of energy, direction south to the rear façade, open onto the garden and a walkway along soon to link the rooms from the outside and to protection authority to sunlight intensive summer as the floor due to overflowing roof. Implementation of the house in a prime location for major trees dictated the architecture of it, the use of resources on the site (mature spruce) has achieved self-construction of internal partitions and the structure of the car-port. The volume opens fully on the site. The windows are 4S solar control, also limiting the problems of overheating. The building envelope includes an insulated roof with 22 cm, 15 cm in interior and exterior walls and 10 cm of insulation cork panels to the floor. The building is equipped with a heated floor completed by topping up a tape timber. The breakdown of the building is Type C, single mechanical flow. All these measures give a K27 energy to the building.
A wall Zebrano farm lobby day. There is no difference between the openings of the dressing room, laundry, toilet, desk and wall. The Zebra wood is oiled (oil dull at Auro).
The kitchen, designed by us, has been implemented by a mason and a carpenter. Tailored to the way we live and cook It includes a work island with sink and a built in bluestone and Walloon oak doors treated with a matte oil in Blanchon. A large table will soon slide under the block to better adjust its length according to the number of guests or to act if needed to plan further work on the kitchen side.
controls, outlets for lighting and internet connection are perfectly integrated into the island through modules "Mysterious" Niko home. The controls are covered with oak and plan against the drawer panel.
The same sockets covered Zebrano control the lighting of the hall and day out. It is possible to control 4 different light points per dose.
The same controls fit perfectly into the ceiling or plates Gyproc through boxes of different embedding.
The Consular Agency in Seattle is under the direct authority of the Consul General of France in San Francisco. All administrative procedures performed in Seattle therefore performed in coordination with San Francisco.
Step 2: The steps vis-à-vis the French authorities
You will find all necessary information regarding your administrative procedures on the website of the Consulate in San Francisco ( www.consulfrance-sanfrancisco.org ).
Listing on the register of French nationals abroad .
Why?
Registration is to save the French resident in the constituency.
The consulate did then, somehow, according to city hall. Too many French attach little importance to the accomplishment of this formality. This gives rise to the free establishment of a consular card valid for 5 years and you will:
- be placed under the protection of the consular authority,
- reduce the time required for the performance of your paperwork (grant passport, transcript of your marriage certificates and birth of your children, for example),
- get a discount on the rights of Chancery
- request a certificate of residence for the French customs on your return to France.
Registration is required for:
- submit your application files scholarship e in French institutions or Franco-American recognized
by the Ministry of Education,
- request your registration list of electors in France, if you are not already registered,
- for the issuance or renewal of a national identity card French,
- obtain a passport if you are resident in the United States,
- be integrated under the safety plan on the plague.
application for registration is made at the Consulate General of France in San Francisco. This can be conducted by mail. The necessary forms are available on the website of the Consulate
The Assembly of French Expatriates (AFE) is an advisory body intended to allow the French outside of France to participate in the national life and make their voices heard.
SFA is composed of members elected for 6 years by direct universal suffrage by the French abroad. Council members shall ensure steadily, as elected representative of the various French communities abroad, the interests of French expatriates. The advisor of the SFA, a member of law, among others involved in the commission grants, welfare, employment and vocational training. It is also regularly informed of measures taken on behalf of French nationals abroad. All information and documentation on the plague, are available on the website: www.assemblee-afe.fr .
Additional information is available on the website of the House of French Citizens Abroad: www.expatries.org/
The notion of identity in the United States is centered around two main documents:
1) The Social Security Number , the Social Security number, used in particular to the tax. To obtain this number you must contact the Social Security Office in your area. To find the nearest location to you, you can see the blue pages of the directory or visit the website: http://www.ssa.gov
You must complete Form SS-5. The green card or passport will be requested to any person authorized to work. For others, a card marked "not valid for Employment " will be issued upon presentation of a passport and a visa legalizing their status. It will introduce you personally to the office of Social Security to perform this step. The issuance of the card takes 15 days and it's free. The visa BA can not receive a Social Security number.
The Social Security number is required to obtain "Identification card (ID) and open a bank account.
a - "Driver License " can be obtained from the age of 16. Each U.S. state issued its own Driver License and driving rules differ slightly depending on the considered state. If you have resident status, your license will be valid until 30 days after your arrival. If your status is different, you can use your French driving license for three months.
For residents, the driving license test is performed Department of Motor Vehicles (DMV ) (visit www.dol . wa.gov ). Obtaining it proceeds as in France (test theoretical and practical), the only difference being that the practical test is conducted in his own vehicle. These two tests are required. The permit is valid for 5 years, renew your birthday.
Steps for obtaining a state license (if resident):
1. You must get to the office of Washington Driver License nearest your home, the theoretical book that is usually self-service
For Seattle Downtown at 380 Union Street, Tel: (206) 464-6846, it is not possible to pass the theory test in French.
2. Having mastered the rules of conduct, go into an office to go without an appointment, the theory test. It will cost $ 20. Attention, the office located "Downtown" can not provide this service.
3. After passing the theory test, you will appointment for the test. This review is free but you pay $ 25 at the time of issuance of your license. Note that the cost is $ 10 per retake the practical exam once or more.
b- The Identification Card is very useful for people under 16 years and those who can not get the driver's license. It is obtained at DMV and costs $ 20.
Pierre Tual is puppeteer comedian. After completing his training at the Ecole Nationale Superieure des Arts de la Marionette Charleville-Mezieres (June 2008), he joined Sylvie Baillon and his team to take a buddy to Tas Sable - Ches Healing Green (Amiens).
As part of this fellowship, he created his first professional show: "Castaway" . A diptych showing two texts, "Poch" Sébastien Joannie and Juliette (end too early) " Sylvain Levey.
"Castaway" was established in November 2009 to Bouffou Theatre in Hull (Hennebont)
Articles published in this blog:
- CALENDAR
- ARTISTIC TEAM - PARTNERSHIPS - NOTES FOR - POCH - JULIET (CONT'D TOO EARLY AND LATE) - Pierre Tual / staging and interpretation - SYLVAIN LEVEY / author of "Juliet (end too early)" - SEBASTIEN Joanne / author of "Poch" - SYLVIE BAILLON / critical - ERIC GOULOUZELLE / critical - Yngvild Aspell / create puppets - MAITE MARTIN / scenography - PIERRE Bernert / sound design - GUILLAUME HUNOUT / lighting design
Under the Carte Blanche 2010/2011 of the Green Healing Co. Ches And the Week of the Young French Creation
On 1 April 2011
In Puppet Centre of the French Community of Belgium (Tournai, Belgium)
In framework evenings It moves on Friday!
On March 25, 2011
In Cultural Centre Athena (Auray, France)
Under Festival Méliscènes
From 17 to 18 March 2011
2009/2010
In Festival MIMA (Ariege) The August 5, 2010
In Puppet Festival in Paths (Picardy) Organized by Pile of Sand - Ches Healing Green
From May 24 to June 6, 2010
For Scenes Open in Unusual (Paris)
Organised by Puppet Theatre in Paris
From 20 to 21 May 2010
A the Laundry (Corbie) On April 20, 2010
In Circle Theatre From (Rennes) From 4 to 6 February 2010
In Theatre in Hull (Hennebont) From 26 to 28 November 2009
At House Theatre (Amiens) Under the Carte Blanche 2009/2010 of the Healing Co Che Green and Festival TAM TAM, the bottom of the puppet From 13 to 16 October 2009
Presentations steps Working
In Tas Sand (Amiens)
June 22, 2009
In Festival Scenes move (Ferns)
Under the Carte Blanche Co. Zusvex
From 18 to 22 August 2009
In World Festival of Puppet Theatres as part of
Instantanné organized by Puppet Theatre in Paris
On September 25, 2009
In Theatre in Hull (Hennebont)
On November 6, 2009
Residences At work
Circle Theatre From (Rennes) In Theatre in Hull (Hennebont) In Tas Sand (Amiens)
Poch (version short)
2007-2009
In Shalmaneser (Epernay)
Under the to Carte Blanche ESNAM
March 2008
At House Theatre (Amiens)
Under the Carte Blanche 2008/2009 of the Green Healing Co. Ches
March 2008
At House Zusvex (Parigné)
Under the evenings Pending been
Organised by Co. Zusvex
April 2007
In Circle Theatre From (Rennes)
Under the Evening A closer look
(where - Puppet Contemporary / Yoann Pencolé / Pierre Tual)
March 2007
At the International Institute of Puppetry (Charleville- Mézières)
With the voices of Claire Perraudeau and Eric Goulouzelle
Texts Sylvain Levey and Sebastian Joannie
Regards Sylvie Baillon and Eric Goulouzelle
Puppets Yngvild Aspeli
Scenography Maite Martin
Construction Eric Soulard
Sound creation Peter Bernert
Lighting design and governed William Hunout
Photographs Christophe Loiseau and John Henry
With the support of the entire team of the sandbox - Ches Green Healing: Nathalie Delphine, Emeline, Maud, Claudia, Eric, Laurent, Yvan, Yvig, Caroline, Elodie ...
A show created as part of a fellowship with the e Tas de Sable - Ches Healing Green / Pole of puppetry in Picardy / Development Center of Puppetry Arts.
In coproduction with Pile of Sand - Ches Healing Green (Amiens), Bouffou Theatre in Hull (Hennebont) and International Institute of Puppetry (Charleville-Mézières) in the program Creation / Companionship.
With the help of the device Let's act - Youth Challenge , Regional Directorate of Youth and Sports Picardy
With the support of T héâtre From Circle (Rennes) for the first residences of research, Co. Zusvex for set construction, and Collective Grand Reservoir .
Castaway will be a diptych comprising two short forms in a single evening. Poch Sebastian Joanna who lasted 35 minutes and Juliet (end too early) a text Sylvain Levey will take approximately 20 minutes. Both forms can also be played independently of one another.
Talking Castaway ...
A man who dies on the street corner sidewalk. A clueless teenager who throws himself down from a fairground Ferris wheel. Okay, it's not pink. But it is people like that. I mean, people who do not work quite right, even downright off the road. Those that says fringe, lost, and to force that ignores them end up taking a wall or fall into the ditch ...
Okay it's not pink, but it exists, and when I discovered these two texts, Poch and Juliet (end too early) , I was deeply shaken by the stories of these two characters. Time has elapsed ... And I realized that these stories always touched me so much and I needed to stage them because they spoke poetically but terribly sincere face an intolerable reality that as much I feel the most powerless. And as for these days that reality does not seem to improve ...
Continue close collaboration between the authors and a puppeteer and a dialogue between our respective languages.
The longstanding friendship which binds me to Sylvain Levey helped me very early to discover the pleasure of working closely with a playwright. The themes running through his writing touched me and accompany me in my artistic research: family, daily life, almost nothing, the banal, and the heart of all this drama. My training allowed me to meet ESNAM Sebastian Joanne and discover with great emotion his writing. Today I can say that working with authors who have something to say or even to yell to the world is fundamental to my creative process. Staging these texts is therefore for me in the artistic continuity of collusion between authors and a puppeteer with the desire to confront our world and try to engage our respective languages. Develop a personal writing stage by mixing acting, puppets, shadows, images, objects ...
Poch and Juliette (end too early) be my first two staged "for real". It will be an opportunity for me to implement the many learnings I received the ESNAM course, but it is above all an opportunity to try writing shows in my way ... There will probably figurines, pictures, objects, but basically for me whatever. What matters is the stories, and the fact that they are staged and performed by a puppeteer. That is to say with regard to the puppeteer. So I think, not quite right, perhaps even squarely outside of the road.
The house was designed on the principle of low consumption of energy, direction south to the rear façade, open onto the garden and a walkway along soon to link the rooms from the outside and to protection authority to sunlight intensive summer as the floor due to overflowing roof. 
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